Studio Plates
December 12
This is a new experience for me, and an interesting one. While editing videos in my own little bubble by my computer, I received a message with an assignment to capture some "plates" for an LED-panel studio that will be used as a background for their current production. The client had specific requirements for the shots, and it turned out to be more challenging than I initially thought. But how hard could it be, right?
I was tasked with shooting three different locations, five takes each, 30 seconds long, all static on a tripod. However, the catch was that there could be no snow, bare trees, Christmas lights, or anything else that might indicate winter. I had to rack my brain to come up with a good improvised solution. My contact, the photographer, was incredibly helpful, providing references and pictures, and even mentioning Wes Anderson's style as an inspiration. While it's not my personal preference, I understood the look they were going for.
The camera for this shoot was a Sony FX3, a model I’d never used before. My first impression was how remarkably powerful this small, compact camera is. With its full-frame 4K sensor, it delivered cinematic visuals with a natural sharpness, paired with the 16mm lens I used. In the past, I’ve struggled with new cameras that make images look overly sharp—though that might have been due to the wrong settings or lenses. However, the FX3 felt idiot-proof and user-friendly, at least for me. Technical equipment should be logical, and navigating the menus and settings on this camera felt straightforward. Most cameras are similar enough to learn quickly, and this one was no exception.
To capture the footage the client requested, I had to wake up early to take advantage of the golden hour at sunrise. The crisp morning air smelled of frozen city streets and early traffic. I scouted for the perfect spots and angles, finding a few promising options. However, avoiding snow in a winter wonderland proved to be a real challenge. I felt some stress and anxiety over whether I’d meet the client’s expectations, but in the end, they were satisfied with the results when I turned in the footage and equipment.
Everyone was happy, and it was a productive day behind the camera which makes me happy.
